Friday, 9 November 2012

Directery

Directory
These are some thearters that have spaces for a new play to be stages or have a drama group rehearse in companys that you can hire poeple to create props and stageing ,lighting,sound.

Battersea Arts centre
Lavender Hill
London
SW11 5TF
For enquires and to hire any of the spaces at
                                      BAC call the Events team on 020 7326 8211 or email us


Bush Theatre
Shepherds Bush Green
London
W12 8QD
Tel.: 020 7602 3703 (Admin.)
Fax: 020 7602 7416
(BOOK OUR SPACE
The Bush Theatre now has spaces which are available for individuals, companies, organizations and any kind of group to book for drinks and dinner parties, meetings, presentations, read-throughs, rehearsals, showcases, workshops, music events and anything in between! Plus our wonderful new Café Bar can cater for all
The spaces available to hire are
THE LIBRARY ROOM
Theatre style 75
Dinner/Lunch 50
Drinks/Standing 75
from £80 per hour
THE ATTIC
Theatre style 40
  Dinner/Lunch 30
Drinks/Standing 50
from £40 per hour
THE STUDIO
Theatre style 40
Dinner/Lunch 40
Drinks/Standing 50
 from £40 per hour    

THE AUDITORIUM
Theatre style 144
Dinner/Lunch 144
Drinks/Standing 250
from £150 per hour 

All of these spaces are available around the artistic programme for hire. Please get in touch to discuss your ideas for your event or party and we will do our very best to make it happen here. For more information or to make a booking please come in for a tour Monday to Saturday 0800 to 2300 or email events@bushtheatre.co.uk or call 0208 743 3584.)



Young Vic
66 The Cut
London
SE1 8LZ
Tel.: 020 7928 6363
"As a busy producing theatre, all spaces are very much in demand so early enquiries are necessary to secure hire.
Costs do not include additional technical or production support needed."

For more information and booking, contact Caroline Carey, Head of Corporate Development, on 020 7922 2812.
lighting and sound


Stage Engage are specialists in event production services - for live events, theatre, touring shows and corporate events. We also provide equipment hire, equipment sales, technical consultancies, video and audio recordings. We stock a range of equipment such as large stages, moving lights, sound systems & AV.





General theatre supplies hire company. Lighting & sound hire available


stageing and props


Bower Wood Production Services were formed in September 1987, to provide the theatre, opera and exhibition industry with scenery and staging to a high standard of quality and finish. Strong links have been forged over these years with many commercial producers and companies to enable our own success to grow.



SceneChange - With 800 backcloths and tabs, over 40 full musical sets along with Gilbert and Sullivan shows and all popular pantomimes, you will find us friendly, knowledgeable and highly competitive, and are always on hand to provide technical advice with no query being to small.


http://www.digifexsolutions.co.uk/
DigiFex Solutions are proud to present a number of services to Amateur Theatre Groups in the UK from our innovative Digital Scenery and Technical Services as well as Concept Design, no matter what your budget we have a product and solution available to you.


www.propsmaster.co.uk

PropsMaster was established to serve the AmDram community, saving you storage costs and making it easy to source props without having to buy or make them. Please give us a call for more information.


Friday, 19 October 2012

time line of an actor working on stage from ardition to job

Time line of an actor working on stage  from ardition to job

1)
You find the audition online or from your agent
You resurch the play
You  lern the scean or extracted they give you                  
You go to a audition .
eather you get the part or you dont 
(You will come in to contacted with : 
person who is organising the aurditions)
2)
You get the part so then are told to come to a read thro where you will get your scripeds and meet the rest of the cast .you will then be given a scedual  of all your rehersals and diffrent dates of meetings or fittings that you will need to attend  over the next few months
3)
Erly Rehersals   you will block out the sceans and lern your lines thro rehersal ,you will develop your chariter  and will become in sink with the other actors
(You will come in to contacted with :the director ,the creative director ,the stage manerger,the rest of the cast )
4)
Late rehearsals (closer to the show) you will have learnt your lines and now know exactly where your meant to be on stage and when you will start to use props and pieces of scenery that your character uses
(The scean creator the depratey stage manerger ,front of house,the creative director ,cast ,floor,runners,cast,director ,lighting)
5)
Close to the show / you will be fitted for your costumes ,be told what props you will have and know where they are ,the scenery will be placed ,you will have run through with pieces of sound and lighting
6)
you will have a dress rehearsal
you will have a technical rehearsal
(Costum disiger,make up artist ,lighting,sound,backstage,stage manerger)
7)
The day of the show you will be called 30 minuets befor the show to get ready and be preparpared  ,you then get your make up done , costume on ,make sure your props are in the right place, and wait for the 5 minute call where you go down to the wings
(stage manerger ,dirctor ,front of house,tecnical team ,make up artists, back stage,costum disingers ,the audiance )
8)
You perform , then you take your costume of and take your make up and go out the stage door home ,and the next day repeat this

so u have chosento becoma actor

 So you are choosing to pursue an acting career .
 Acting, when given the opportunity, is a fun and forfilling .
 You have an opportunity to spend an evening with an audience and know that in end you have made them put aside their problems for a moment, and reflect on themselves and the people around them. Actors have an opportunity to affect people and make them think about something important.


Learn How to Act Seems like a given, doesn't it? But I can't tell you the number of people that come out to Hollywood thinking that all they need to do is get a job as a waiter at some popular restaurant, meet an agent, get "discovered" and then it's nothing but champagne and caviar from there. Uh...no.
  

 Most successful actors are truly committed to the art of acting alone and their love of acting is what has kept them going through the years. Many people are tempted to get into this industry at the prospect of fame or money. You must understand that very few people get paid large salaries to act and its verry hard to  
"make it big." If that is not enough, you should consider pursing something else as a career.
You must take the time to master your craft. If that means sacrificing a relationship or a few friendships along the way, so be it. I know that sounds rather harsh, but acting is not a 9-5 job by any stretch.   If you're lucky enough to get a role in a major film or television production, realize that this is not the glamorous  job you might've thought it would be. It's a lot of work, can be  14-20 hours per day, in all kinds of conditions and at least initially, for not much money.
 
 Great acting looks effortless but it is really years of experience and training working together to create what you see. You might want to consider joining a club ,You will come to value what you learn form this club, become more confident and rely on it when you start working.


qualities you need to be an actor

 Qualities you need to be an actor


In your personal life and your personality:
  1. to be enfusiastic
  2. be ready to do anything
  3. be comited
  4. you have to take advise well 
  5. you have to work well with others
  6. to be able to work on your own well 
  7. to be optermistic
  8. to never let anything stand in your way                                                     
In the professional work place or in a proffcinal aspected :
  1. need to have basic drama skills
  2. need to be able to perform infront of a aurdiance
  3. need to be punchual
  4. need to work hard
  5. to go to aruditions
  6. to try and get an agent
  7. to be able to compeat
  8.  take pressure
  9. be able to work on a low salery

Friday, 12 October 2012

pack for people wanting to becom a actor

 
 

                                            

 

 

The first thing you need to decide is what sort of actor do you want to be ?

stage:
contemporary
moden
mime
pantomime
childrens performers
caberay



performing arts:
musical
berleqse
opra
phsical thearter




film:
comidy
romantic comidy
horra
documentry
tradurdy
action
si-fi

tv:
soap
sceareys
comidy
drama
sit coms

Friday, 5 October 2012

logs



BTEC Performing Arts Progress Log 2   
Date ___


 
Progress made towards targets:
i was stretching in the warm up and i feel like i stretched futher and when doing the street dance i could extended my arms alto further this made it look better and miss commented on this



Feedback received from teacher/peer and how I put this into practise:
my teacher told me that my extended my arms made my moves look more perfeshinal and also they looked better for the style my knees where better bent alfter miss told me to relax more

Any new targets arising from the lesson:
relax ,focuse on the extention of my legs a foot placeing

 
What am I aiming for?

P3 attend workshops and
rehearsals with evidence of
responding to instruction and
contributing ideas

M3 attend workshops and
rehearsals regularly with
evidence of effective
response to instruction and
appropriate contribution of
ideas
D3 fully engage in the rehearsal
process, responding
consistently well to
instruction and providing a
valuable contribution of ideas
P4 make links between rehearsal
process and performance
by suitably adjusting and
correcting the work

M4 make thoughtful links
between rehearsal process
and performance by
successfully refining and
adjusting work

D4 make significant links between
rehearsal process and
performance by refining and
adjusting the work with skill
and expertise




















BTEC Performing Arts Progress Log   

Date ___4/10/2012_________________________

Progress made towards targets: _____in this lesson we ran thro the street dance and I remembered a lot of the moves and kept up with the movements and miss said I had improved a lot on my movement memory and on my timing we also started doing the steeps with our partner and the lifts which where quite simple but relayed on trust and on knowing where to jump so I jumped higher and my partner could catch me easier than before 
_________

Feedback received from teacher/peer and how I put this into practice:
Miss gave me very positive feed back but told me that I should bend my knees more and make my moves more fluid when running to Leon before the lift also to make 
my circle wider when coming out of the spin

Any new targets arising from the lesson:

My new targets are to be able to make my movements more fluid and my popping more sharp so it looks really good also to be able to think of my specula awareness so me and my partner stay close enough to go in to our partner steps

What am I aiming for?

P3 attend workshops and
rehearsals with evidence of
responding to instruction and
contributing ideas

M3 attend workshops and
rehearsals regularly with
evidence of effective
response to instruction and
appropriate contribution of
ideas
D3 fully engage in the rehearsal
process, responding
consistently well to
instruction and providing a
valuable contribution of ideas
P4 make links between rehearsal
process and performance
by suitably adjusting and
correcting the work

M4 make thoughtful links
between rehearsal process
and performance by
successfully refining and
adjusting work

D4 make significant links between
rehearsal process and
performance by refining and
adjusting the work with skill
and expertise



























BTEC Performing Arts Progress Log 3   
Date ___


 

Progress made towards targets:
i was less tence this lesson and thought that i was more fluid with my moves makeing all of them more rexlaxed and also my poping and locking is feeling more natural


Feedback received from teacher/peer and how I put this into practise:
my teacher said that my moves where looking alot more polished and that the practice i had been doing defornetly gave me an advantage she also said that is i streached more befor the lesson some of the moves would be better becouse id be able to extend my arms and legs more also wareing lose clothing
Any new targets arising from the lesson:
to ware lose clothing
to streach more
to practice my moves more
to make all my moves more extended

 
What am I aiming for?

P3 attend workshops and
rehearsals with evidence of
responding to instruction and
contributing ideas

M3 attend workshops and
rehearsals regularly with
evidence of effective
response to instruction and
appropriate contribution of
ideas
D3 fully engage in the rehearsal
process, responding
consistently well to
instruction and providing a
valuable contribution of ideas
P4 make links between rehearsal
process and performance
by suitably adjusting and
correcting the work

M4 make thoughtful links
between rehearsal process
and performance by
successfully refining and
adjusting work

D4 make significant links between
rehearsal process and
performance by refining and
adjusting the work with skill
and expertise

























BTEC Performing Arts Progress Log 4   
Date ___


 

Progress made towards targets:
i feel more conferdent on the steps and have been keeping in time my coardernation is getting better and the parter work is working really well last lesson i felt like my feet where allover the place so i started to try to concentrate where i was placeing them insted of just doing the moves this slowed me down a littel in the lesson but when i got it it really worked


Feedback received from teacher/peer and how I put this into practise:
miss said "that i have done really well with the partener lifts,steps and coriorgrathy that we started" was really good for the style of dance (street dance/contemporery) this made me more conferdent to put more idears out so we could compleat the dance

Any new targets arising from the lesson:
to start placeing my feet presisly so i can have a compleat dance with the corrected footing

 be spacily aware of my partner so that i can be in persition for the partner section so we dont kick or hit eachother dueing the dance and also that were not to far away from eachother when its time for the leaning back and caching moves

to keep working on my timeing of moves so that i am not to fast or slow and i mach the moves to the music

 
What am I aiming for?

P3 attend workshops and
rehearsals with evidence of
responding to instruction and
contributing ideas

M3 attend workshops and
rehearsals regularly with
evidence of effective
response to instruction and
appropriate contribution of
ideas
D3 fully engage in the rehearsal
process, responding
consistently well to
instruction and providing a
valuable contribution of ideas
P4 make links between rehearsal
process and performance
by suitably adjusting and
correcting the work

M4 make thoughtful links
between rehearsal process
and performance by
successfully refining and
adjusting work

D4 make significant links between
rehearsal process and
performance by refining and
adjusting the work with skill
and expertise























Progress made towards targets:
 to be spaceily awaer of my partner
get the foot work right
to carry on getting more flexibel
to improve my movement memory








BTEC Performing Arts Progress Log 4   
Date ___


 

Progress made towards targets:
i feel i was confitabel doing all the moves and feel i can do the performance tomorro well with all the moves in there and my timeing has improved alot

Feedback received from teacher/peer and how I put this into practisc
i was told that my timeing has improved and duering the warm ups i seemed amost flude in to each move becouse i know them so well

Any new targets arising from the lesson:
to do the dance to my best abilaty and be able to get thro all the moves with no mastacks




What am I aiming for?

P3 attend workshops and
rehearsals with evidence of
responding to instruction and
contributing ideas

M3 attend workshops and
rehearsals regularly with
evidence of effective
response to instruction and
appropriate contribution of
ideas
D3 fully engage in the rehearsal
process, responding
consistently well to
instruction and providing a
valuable contribution of ideas
P4 make links between rehearsal
process and performance
by suitably adjusting and
correcting the work

M4 make thoughtful links
between rehearsal process
and performance by
successfully refining and
adjusting work

D4 make significant links between
rehearsal process and
performance by refining and
adjusting the work with skill
and expertise